Posts Tagged DRM

Resisting DRM: Doctorow on the iPad, ‘Sita’ and Netflix

Here are a couple of stories related to taking a stand on principles concerning DRM:

In Cory Doctorow’s latest editorial for Publishers Weekly, Doctorow sets his sights on the iPad and bangs the “DRM Is Evil” gong for all he’s worth. He talks about Apple’s infamously restrictive policies that promulgate device lock-in, and warns against publishing e-books for such a restricted system:

Think about what that kind of control means for the future of your e-books. Does the company that makes your toaster get to tell you whose bread you can buy? Your dishwasher can wash anyone’s dishes, not just the ones sold by its manufacturer (who, by the way, takes a 30% cut along the way). What’s more, you can invent cool new things to do with your dishwasher. For example, you can cook salmon in it without needing permission from the manufacturer (check out the Surreal Gourmet for how). And you can even sell your dishwasher salmon recipe without violating some obscure law that lets dishwasher manufacturers dictate how you can use your machine.

I’m certainly not going to disagree with Cory about DRM being an ineffectual annoyance that only ends up ticking off consumers. (In fact, I would probably have to admit that Doctorow’s attitudes on DRM have largely shaped my own.) However, I think he’s muddling the issue by talking as if only DRM-restricted e-books can be made available for the iPad—or else conflating the restricted app store with restricted e-books.

As my reviews of the last few days show, iPad reader apps exist for a number of formats—some restricted (iBooks, Kindle), some not (unencrypted ePub or MobiPocket). Just because your books can be read on the iPad doesn’t mean they have to be published through (or solely through) Apple, in a restricted format. I read my Baen books on my iPad and iPhone all the time.

On a related note, animator Nina Paley is taking a stand against movie DRM by declining to host her movie, Sita Sings the Blues, on Netflix’s video-on-demand service. (We previously covered Sita Sings the Blues here.)

Paley is declining a $4,600 offer from Netflix because Netflix’s movies are streamed with DRM and Netflix refuses to allow her either to forego the DRM or to place a bumper on the film explaining where it might be downloaded for free. Paley takes a stand for her principles in this case, just as she did when she chose to release the film under a Creative Commons license.

For now, people will just have to obtain Sita by visiting the vast Internet outside of Netflix. Most of the Internet still isn’t enclosed by Netflix, or Amazon, or iTunes. Most of the Internet is still Free; I’m doing what little I can to keep it that way. I’m sad to lose the potential viewers who may have found Sita through Netflix’s electronic delivery. But maybe some of those Netflix subscribers will discover the rest of the Internet because of my tiny act of resisting DRM.

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iPhone/iPad e-book app review: BookShelf

BookShelf iPod 001The last few e-readers I’ve reviewed have been corporate-, or at least company-created—crafted by teams of developers, with a very smooth and polished look to them and, with the exception of eReader, all relative latecomers to the iPhone platform. It’s time to switch things up and take a look at a much older, largely solo effort: Zachary Bedell’s iPhone/iPad universal application BookShelf (v2.3.2968).

If any app could be called the original iPhone e-book reader, BookShelf certainly qualifies. A predecessor, Books 1.0 (not written by Bedell), actually pre-dates Apple’s first iPhone software development kit—it was in one of the unofficial app repositories created by those hardy souls who were jailbreaking their phones to program and run apps before apps were even officially possible.

Originally just a simple unencrypted-MobiPocket-format reader, BookShelf was also the first application to allow downloading Baen Free Library and Webscription books directly from the web and into the reader. Until Baen also made EPUB-format books available and added a Stanza download catalog, BookShelf was essentially the only way to read Webscription books on the iPhone without going to a great deal of extra effort.

It is also the only one of the original “big three” iPhone e-book apps (BookShelf, eReader, Stanza) to get an iPad upgrade. It is still just about the only way to read unencrypted MobiPocket books on the iPhone without running them through Calibre to convert to EPUB—but thanks to some recent changes, it can read EPUB, Plucker, FB2, LIT, and a remarkable number of other formats as well (Update: though, as Bedell notes in a comment below, some of them do have to pass through its PC-based sync conduit first).

For its first couple years, BookShelf was priced at $9.99—pretty high for an iPhone application. It has since come down to $4.99, with a free ad-supported and limited-capacity version called BookShelf Lite. The app is universal, so only need be purchased once for both the iPhone and iPad platforms. But is it still worth the money in this age of iBooks and Kindle Reader? Let’s find out.

(Portions of this review come from my 2008 review of an earlier version, updated to reflect more recent changes.)

Readability

BookShelf iPad 002 BookShelf iPad 001 Bookshelf offers a wide variety of font choices, including Georgia, Hevetica, Marker Felt, and a number of others. There are a couple of them, such as Bodoni 72, on the iPad that aren’t on the iPhone, but in either one there are fonts available I haven’t seen in any other reader program. However, some of these make little sense to use for book reading (for example, “DB LCD Temp”—who wants to read an entire book in pocket calculator font?). Sizes are given in points, ranging from 8 point (tiny) to 40 point (only 5 or 6 lines fit on the screen of an iPhone).

BookShelf iPod 002BookShelf iPad 003 BookShelf has one of the more impressive text presentation options dialogues I’ve seen on any e-book app. Not only font face, size, and color scheme can be set, but also justification, side margins, line spacing (my preference is 135%, less than the 165% default), extra paragraph space, and others. There is a window of sample text at the top of the setup screen so you can see the effect of changes as you make them.

Oddly, BookShelf’s manual (included in the app at download) claims that the app supports automatic hyphenation, but the hyphenation option it describes is missing from the setup screen. Wonder where it went.

It is interesting to note that the justification setting can apparently be overridden by the settings of the e-book file itself—when I downloaded an e-book file directly from Baen, it remained fully justified even though I had changed the selector to left-justification only. On the EPUB e-book files I had recompiled with Calibre to remove full justification for iBooks, setting changes had full effect.

Once these options have been selected, the font faces are readable and quite clear. As with eReader, Bookshelf will rotate the screen to any of the four possible orientations of the device.

Ease of Use

Paging up and down in Bookshelf is done by thumb tapping on either the top or bottom of the screen. The text scrolls up or down in accordance with the direction you tap. (By default, tapping on the bottom pages down; flipping the “Reverse Tap Direction” switch in Settings reverses this.) You can also slide the screen up and down with your finger to scroll only part of the way, just as in Mobile Safari. Tapping in the middle of the screen opens the menu bars.

Unlike essentially every other e-book reading app available for the iPhone or iPad, BookShelf is built on a scrolling metaphor, like a web browser. Ever since the early days of the e-book, some people (such as my friend Travis Butler, who occasionally comments here) have simply preferred to read that way, sliding their thumb up or down to advance the text a line, a paragraph, or page at a time, as they like.

But the fly in the ointment is that, in programming it, Bedell was only allowed to use Apple’s published APIs—and their API for scrolling text, as opposed to page-at-a-time, simply doesn’t work for long segments of text. Bedell could fix it if he were allowed to write his own API, but that is prohibited by the developers’ agreement.

So Bedell does the best he can: each book is loaded in chunks about the size of a printed page (or several iPad screens, or even more iPhone screens). The beginning and end of each chunk is marked with a red arrow, and cannot be finger-slid past but must be tapped to advance to the next or previous chunk.

In the bottom menu bar are options to go to the settings page, lock the screen rotation, view or add bookmarks, and start autoscroll for hands-free reading. (They are all presented in a single row in the iPad version, but there is only room for half of them at a time plus a “more” icon on the iPhone version.)

The upper right menu bar contains a very small meter of progress into the book (so small as to be not really recognizable as such until enough of the book has been read that the progress dot elongates into a bar). Tapping on it brings up a slider that allows you to advance to any point in the book.

Happily, the problem that I mentioned in my prior review about accessing the download screen seems to have been an artifact of a bad installation on my iPhone. I have no such problems now.

In fact, since my previous reviews, BookShelf has gotten considerably less buggy in general, and is now almost entirely usable. And its many configuration options give it a pretty big lead over apps such as iBooks and Kindle Reader where just about all you can change is the font face and size. On the other hand, all those options also make it a lot more complicated than other e-book readers, so it might be a little more confusing to a newer user.

Adding Content

This is one area where BookShelf really shines. Over the years, BookShelf has added the ability to read a number of other formats, including EPUB, to its MobiPocket base.  It should be noted that only non-DRMed files can be loaded into Bookshelf—which means that e-books purchased in Secure Mobipocket or Secure EPUB format will not work unless a way can be found to remove the DRM. (Note that, in the United States, removing the DRM from a purchased book violates the Digital Millennium Copyright Act.)

Bookshelf comes with a Java-based Bonjour/TCP server application—a stripped-down webserver for e-books. It is simple to set up (though I did have to uninstall and reinstall Bonjour on my Winbox to do so) and to add content which you can access from your LAN or, with a little router configuration, from anywhere on the net.

With a little experimentation, I was easily able to make the e-book directory of my hard drive available (password-protected) and download a book from it onto my device. And since the server contains the entire directory, I do not need to worry about having to manually add every book I want to install.

But the shelfserver is also easy for publishers to integrate. That’s why Baen Books set one up for its Free Library and Webscriptions (which is now built right into the download menu of BookShelf), and there is also a public-domain-books server at iphonebookshelf.com.

BookShelf iPad 003 And BookShelf has also added a number of other downloading options, including an internal browser to allow downloading directly from the web (a considerable improvement from BookShelf’s prior web downloading option, which required using a bookmarklet to rewrite download links on a given page) plus direct links to Feedbooks, ManyBooks, Smashwords, Project Gutenberg, the Internet Archive, and even Dropbox. The iPad version can also be loaded via drag-and-drop via the File Sharing section of the Apps tab of the iPad iTunes sync screen, as with GoodReader.

Suffice it to say that there are about a zillion ways to get an e-book into BookShelf.

Of course, one annoying thing is what happens with the book once it’s there. For some reason downloading a book from an on-line source creates a directory structure within the app—several layers deep. For instance, downloading Conflict of Honors via the Baen Webscription link puts that file four layers deep, in the “Downloads –> www.webscription.net –> Sharon Lee and Steve Miller” folder. That makes it a bit troublesome to keep track of where your books actually are.

Conclusion

I bought BookShelf as soon as I got my old 1st-generation iPod Touch, at its full price of $9.99, because it was basically the only iPhone app that read Baen e-books at that point. It was fairly buggy back then, but it was the only game in town so I put up with it. But since Stanza came out, I largely hadn’t used it until I went back and read a book in it today for the purposes of this review.

The fact is, I prefer the page-turning metaphor of eReader, Stanza, and now Kindle and iBooks. I like tapping to the left or right to jump to the next screen’s worth of text, whether it comes with a fancy page-turning animation or not. (There is a “tap left/right to scroll” option in the text settings menu, but it doesn’t seem to work for me on either the iPod Touch or iPad.) Scrolling up and down is a bit too fiddly for me, and too easy to lose track of where I had been reading before.

I’m not sorry I bought BookShelf, on the whole. It was highly useful before Baen went EPUB, and still looks pretty good today on the iPad—it’s just not the way I prefer to read. At the original price of $9.99, it would be considered a bit too high today, but $4.99 is a more decent price, especially considering that it covers both iPhone and iPad versions (and you can try out the Lite version before you buy to see if you think the paid version would meet your needs).

If you prefer the scrolling model of book reading and would like an EPUB reader that doesn’t try to pretend you’re reading a paper book (or would like to read non-DRM MobiPocket and LIT files without passing them through Calibre first), $4.99 is actually a pretty good deal—especially for the level of control you have over the way the book is displayed. BookShelf has improved a lot over the years, and if it is not necessarily as polished as iBooks, it is nonetheless impressively functional and nearly entirely bug-free.

But for people who don’t care about those things, BookShelf isn’t necessarily that much better than iBooks—and iBooks is free.

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More Amazon/Macmillan feud fallout, conversations, and conspiracy theories

TechCrunch’s M.G. Siegler reports that another “winner” in the Amazon vs. Macmillan feud is Barnes & Noble, who is getting a lot of new purchase traffic for books Amazon is currently unwilling to carry.

I would add, from the time I have spent reading various discussion forums about it, that a good many of the people who comment in discussion threads at Scalzi’s Whatever, Charlie Stross’s blog, and Making Light have said they are shifting all their purchases over to Barnes & Noble—and some have said they are going ahead and buying Nooks, too.

Furthermore, the SFWA today announced it is removing all links to Amazon.com from its website. If Amazon keeps this up much longer, it is going to exhaust much of the goodwill that authors and publishers have previously had toward it—and after some of the other disputes publishers and author-advocacy groups have had with Amazon already (the pricing issue, the Kindle text-to-speech issue, the listing-used-books-with-new issue) there may not have been much of that left to begin with.

Different Sites, Different Discussions

I find it interesting how different the conversations are at the blogs I mention above from discussion here and on MobileRead. At the aforementioned blogs, more people by far are taking Macmillan’s side and feel Amazon acted reprehensibly, while here and at MobileRead (as well as Kindle users’ communities, I understand, though I have not been reading them) it is largely the other way around.

(By the way, I would like to call out Tor.com for sticky-posting Sargent’s open letter at the top of the blog, but disabling reader comments on it. Very classy, guys. I know you’re part of Tor, which is part of Macmillan, but still, this one-way barrage of corporate-speak seems quite at odds with the notion of community you’ve worked so hard to build up. Someone get them a copy of The Cluetrain Manifesto.)

I suppose it is that Whatever, Stross, and Making Light serve communities made up of Macmillan writers, editors, and their friends, while more readers and small-press folks hang out here and on MobileRead. And needless to say, none of these discussions may represent the opinions of the great silent majority of readers who have not bothered to take part in any of them.

E-books’ “Grassy Knoll”?

Over the last few days, we have seen a number of posts here espousing the opinion that publishers have a not-so-secret agenda to destroy or delay the market for e-books.

This is not exactly a new idea, of course—it has had ten or fifteen years of publisher mismanagement of e-books to take root. Still, with Macmillan’s actions in attempting to raise e-book prices, it is finding newly receptive audiences.

I’m still looking for someone to write a guest column from an opposing viewpoint; LiveJournal user “barbarienne” has posted a (slightly blue) screed against this “conspiracy paranoia”, but it is not something I could reprint on the front page.

On a related note, writer Sean P. Fodera has made an LJ post concerning the “misconception” that e-books should cost significantly less than printed books—and unlike many others, he actually had a fairly reasonable response when I brought up the counter-example of Baen.

John Siracusa: “People don’t get e-books”

And from the point of view that it might be better not to ascribe malice to something that can be more readily explained by incompetence, this Ars Technica editorial by John Siracusa that I covered here a year ago suggests that most people, including publishers, have simply never “gotten” e-books.

If you’ve forgotten about or not read it, it is worth going through again—it’s still as true now as it was then (and interesting as well for the way it essentially predicts the iPad a year ahead of schedule).

Siracusa suggests that the industry’s “sabotage” of e-books could be laid at the feet not of some overarching plan, but the exact opposite—general cluelessness about e-books and the market in general, born of fear of what happened to the music industry with Napster and, yes, fear of e-books cutting into their hardcover margins.

Though even so, Siracusa does note:

All of this is to say that the publishers effectively sabotaged the e-book market from day one. The DRM, the pricing, the general treatment as second-class citizens, it all added up to an insurmountable drag on a budding industry. Without some minimum level of buy-in from content owners, there was simply no way to break through to the mainstream, no way to ever sell enough copies of those popular novels to recoup a large up-front fee, and no way to persuade content owners to allow the most desirable best-sellers to be sold in e-book form.

So whether there was or is any sort of overarching plan may not make much difference in the end if the results are the same.

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Majority of pirated files are not hacked ebooks: they are scanned pbooks, manuscripts and galleys

DSCF0053.JPGUntangling and understanding the ebook supply chain

Peter Balis, John Wiley and Sons; Niel Del Young, Hachette Book Group; Leslie Hulse, Harper Collins; Andrew Weinstein, Ingram Digital; Mark Coker, Smashwords

Ingram: in ebook supply chain a lot of posturing going on and in a gawky stage. Roles are still shaking out. Still a role for wholesaler in the supply chain. They provide multi-publisher aggregating platform for retailers. They keep track of all the retailers selling the publishers’ books. For majority of US publishers, enforcing territories by the billing address of the purchaser seems to be becoming the standard. Adobe platform is something to watch for 2010 – they are trying to foster innovation. No shortage of 4 color ebooks out there, but since Amazon/Kindle dominates the conversation this means that most people don’t even know about them.

Wiley: understand how supply chain operates, but don’t have a standard operating procedure for digital, but upstream and downstream. Basic formats are PDF and Epub. One reason that ebooks may not have cover is that the publisher could not get the digital rights to the image. Especially true of older books. Wiley can’t afford to deal with small retail accounts and an aggregator makes sense for them. No good way to audit sales make by retailers. Majority of titles they see are not hacked ebooks, they are primarily manuscripts, galleys and scanned paper books. Blio/Microsoft should be watched in 2010.

Harper: had to do a big effort to get the digital rights and establish the royalties for digital. Many times had the digital rights but no royalties were established. Need wider adoption and implementation of Onix. Incomplete integration with Onix is hurting ability to get ebooks distributed. Is a need for an independent auditing body for digital sales. Dark horse for 2010 is Blio/Microsoft.

Hachette: just because we go to Epub doesn’t mean that all the people downstream in the chain can take the file and so delayed implementation until could make this work. Hachette currently restricts ebook sales to US because territories can change daily and hard to flow this info out to supply chain. Also hard to track supply chain to see if proper territorial information has been transmitted down the chain and complied with. Blio/Microsoft should be watched in 2010.

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